708 Free Artworks of Wash Manner

pen and brown ink metropolitan museum of art mannerism brush and brown wash black chalk drawings in the metropolitan museum of art leadpoint brown wash giuseppe arcimboldo national gallery of art

Drawing, Page of a drawing book; St. Christopher; Mary and the Child; Lucifer Appearing to Dante and Virgil, ca. 1590, Stradanus, circa 1590

drawings by jan van der straet mannerism

A Tormentor With Tongs, Taddeo Zuccari

drawings by taddeo zuccari in the national gallery of art (washington, d.c.)mannerism

Woman Walking to the Right, Giovanni Baglione

drawings in the national gallery of art (washington, d.c.)mannerism,baroque

Recto Title: Page of a sketchbook showing two scenes, one including the Blinding of Cyclops., Stradanus, ca. 1590

collections of the cooper hewitt, smithsonian design museum mannerism

Apparition of Christ (recto); Printed Fragment with Jupiter Enthroned with Eagle, from Caraglio's Martyrdom of Saint Peter and Saint Paul (verso)., Parmigianino, 1503–40

engravings after parmigianino high renaissance,mannerism

Apparition of Christ (recto); Printed Fragment with Jupiter Enthroned with Eagle, from Caraglio's Martyrdom of Saint Peter and Saint Paul (verso)., Parmigianino, 1503–40

engravings after parmigianino high renaissance,mannerism

Apparition of Christ (recto); Printed Fragment with Jupiter Enthroned with Eagle, from Caraglio's Martyrdom of Saint Peter and Saint Paul (verso)., Parmigianino, 1503–40

drawings by parmigianino in the metropolitan museum of art high renaissance,mannerism

Design for a Casket with the Gonzaga Eagle, Giulio Romano, circa 1527–46

drawings by giulio romano mannerism

Design for a Flask with Chain Handles, Giulio Romano, 1540–46

drawings by giulio romano mannerism

Design for a Flask with Chain Handles, Giulio Romano, 1540–46

drawings by giulio romano mannerism

An Allegory: Male Nude in a Stable with Four Wild Horses, Prospero Fontana, circa 1512–after 1593

prospero fontana mannerism

drawings by cigoli baroque,mannerism

Warrior and Young Standard-Bearer, Abraham Bloemaert

mannerism,utrecht caravaggism drawings by abraham bloemaert

Three Standing Male Figures (recto); Two Standing Male Figures (verso), Romulo Cincinato, 1502–93

drawings by romulo cincinnato mannerism

drawings by cigoli baroque,mannerism

Acis and Galatea, Abraham Bloemaert, circa 1590

drawings by abraham bloemaert in the national gallery of art mannerism,utrecht caravaggism

Two Nymphs Carrying a Third, Francesco Primaticcio, circa 1547

drawings by francesco primaticcio in the metropolitan museum of art school of fontainebleau,mantuan school,mannerism

Treatise on Silk Culture and Manufacture (Series of Thirteen Drawings, No. 10), Giuseppe Arcimboldo, circa 1586

drawings by giuseppe arcimboldo mannerism

Treatise on Silk Culture and Manufacture (Series of Thirteen Drawings, No. 6), Giuseppe Arcimboldo, circa 1586

drawings by giuseppe arcimboldo mannerism

Treatise on Silk Culture and Manufacture (Series of Thirteen Drawings, No. 1), Giuseppe Arcimboldo, circa 1586

drawings by giuseppe arcimboldo mannerism

Treatise on Silk Culture and Manufacture (Series of Thirteen Drawings, No. 13), Giuseppe Arcimboldo, circa 1586

drawings by giuseppe arcimboldo mannerism

Treatise on Silk Culture and Manufacture (Series of Thirteen Drawings, No. 5), Giuseppe Arcimboldo, circa 1586

drawings by giuseppe arcimboldo mannerism

Treatise on Silk Culture and Manufacture (Series of Thirteen Drawings, No. 8), Giuseppe Arcimboldo, circa 1586

drawings by giuseppe arcimboldo mannerism

Treatise on Silk Culture and Manufacture (Series of Thirteen Drawings, No. 4), Giuseppe Arcimboldo, circa 1586

drawings by giuseppe arcimboldo mannerism

Copy after the Fresco with the Battle of Constantine in the Vatican Palace, Giulio Romano, between 1499 and 1546

drawings by giulio romano mannerism

Treatise on Silk Culture and Manufacture (Series of Thirteen Drawings, No. 9), Giuseppe Arcimboldo, circa 1586

drawings by giuseppe arcimboldo mannerism

Treatise on Silk Culture and Manufacture (Series of Thirteen Drawings, No. 12), Giuseppe Arcimboldo, circa 1586

drawings by giuseppe arcimboldo mannerism

Copy after the Fresco with the Battle of Constantine in the Vatican Palace, Giulio Romano, between 1499 and 1546

drawings by giulio romano mannerism

Drawing, A Fountain with Neptune after Hendrik Goltzius, 1685–1735, 1685–1735

drawings in the cooper–hewitt, smithsonian design museum mannerism

Drawing, Elephants At Work, 1587, Stradanus

drawings by jan van der straet mannerism

Return of the Holy Family from Egypt (recto); Studies for the Return from Egypt (verso), Giovanni Baglione, between 1599 and 1600

drawings by giovanni baglione mannerism,baroque

Return of the Holy Family from Egypt (recto); Studies for the Return from Egypt (verso), Giovanni Baglione, between 1599 and 1600

drawings by giovanni baglione mannerism,baroque

Return of the Holy Family from Egypt (recto); Studies for the Return from Egypt (verso), Giovanni Baglione, between 1599 and 1600

drawings by giovanni baglione mannerism,baroque

Sketches for Compositions and Groups of Figures (recto and verso), Paolo Veronese, circa 1568–88

drawings by paolo veronese in the metropolitan museum of art mannerism,veronese school,high renaissance,venetian school

Sketches for Compositions and Groups of Figures (recto and verso), Paolo Veronese, circa 1568–88

drawings by paolo veronese in the metropolitan museum of art mannerism,veronese school,high renaissance,venetian school

Study for "The Four Doctors of the Church", Domenico Beccafumi

drawings in the national gallery of art (washington, d.c.)mannerism,sienese school

A Prophet Addressed by an Angel, Sebastiano del Piombo, 1517/1519

drawings in the national gallery of art (washington, d.c.)mannerism,high renaissance

The Adoration of the Golden Calf, Hans Rottenhammer, 1595/1596

drawings in the national gallery of art (washington, d.c.)northern mannerism

The Madonna and Child Enthroned with Saint John the Baptist and Saint Andrew, Bernardino India

drawings in the national gallery of art (washington, d.c.)mannerism

River Landscape, Tobias Verhaecht

drawings in the national gallery of art (washington, d.c.)mannerism

Drawing, Page of a drawing book; St. Christopher; Mary and the Child; Lucifer Appearing to Dante and Virgil, ca. 1590, Stradanus, circa 1590

drawings by jan van der straet mannerism

Tamar giving birth, Maarten van Heemskerck

works after maarten van heemskerck mannerism

The fragility of human joy. A man being chased by a dragon clings to a branch while licking honey from his finger, Abraham Bloemaert

drawings by abraham bloemaert in the statens museum for kunst mannerism,utrecht caravaggism

Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral), Domenico Beccafumi, 1520–50

drawings by domenico beccafumi in the metropolitan museum of art mannerism,sienese school

Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral), Domenico Beccafumi, 1520–50

drawings by domenico beccafumi in the metropolitan museum of art mannerism,sienese school

Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral), Domenico Beccafumi, 1520–50

drawings by domenico beccafumi in the metropolitan museum of art mannerism,sienese school

Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral), Domenico Beccafumi, 1520–50

drawings by domenico beccafumi in the metropolitan museum of art mannerism,sienese school

Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral), Domenico Beccafumi, 1520–50

drawings by domenico beccafumi in the metropolitan museum of art mannerism,sienese school

Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral), Domenico Beccafumi, 1520–50

drawings by domenico beccafumi in the metropolitan museum of art mannerism,sienese school

Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral), Domenico Beccafumi, 1520–50

drawings by domenico beccafumi in the metropolitan museum of art mannerism,sienese school

Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral), Domenico Beccafumi, 1520–50

drawings by domenico beccafumi in the metropolitan museum of art mannerism,sienese school

Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral), Domenico Beccafumi, 1520–50

drawings by domenico beccafumi in the metropolitan museum of art mannerism,sienese school

Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral), Domenico Beccafumi, 1520–50

drawings by domenico beccafumi in the metropolitan museum of art mannerism,sienese school

Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral), Domenico Beccafumi, 1520–50

drawings by domenico beccafumi in the metropolitan museum of art mannerism,sienese school

Nine Studies of the Moses in Santa Maria della Steccata, Parma (recto); Nine Studies for the Eve in Santa Maria della Steccata, Parma (verso), Parmigianino, 1503–40

engravings after parmigianino high renaissance,mannerism

Nine Studies of the Moses in Santa Maria della Steccata, Parma (recto); Nine Studies for the Eve in Santa Maria della Steccata, Parma (verso), Parmigianino, 1503–40

engravings after parmigianino high renaissance,mannerism

Scene from the Last Judgment, Study for the Fresco Decoration of One of the Segments of the Cupola of the Cathedral of Santa Maria del Fiore in Florence, Federico Zuccari, 1576–79

drawings by federico zuccari renaissance,mannerism

Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral), Domenico Beccafumi, 1520–50

drawings by domenico beccafumi in the metropolitan museum of art mannerism,sienese school

Classical Battle Scene; Verso: Peter and John Heal a Cripple at the Gate of the Temple, Bartholomeus Spranger, circa 1590

drawings by bartholomeus spranger in the metropolitan museum of art northern mannerism

Classical Battle Scene; Verso: Peter and John Heal a Cripple at the Gate of the Temple, Bartholomeus Spranger, circa 1590

drawings by bartholomeus spranger in the metropolitan museum of art northern mannerism

Classical Battle Scene; Verso: Peter and John Heal a Cripple at the Gate of the Temple, Bartholomeus Spranger, circa 1590

drawings by bartholomeus spranger in the metropolitan museum of art northern mannerism

Classical Battle Scene; Verso: Peter and John Heal a Cripple at the Gate of the Temple, Bartholomeus Spranger, circa 1590

drawings by bartholomeus spranger in the metropolitan museum of art northern mannerism

Classical Battle Scene; Verso: Peter and John Heal a Cripple at the Gate of the Temple, Bartholomeus Spranger, circa 1590

drawings by bartholomeus spranger in the metropolitan museum of art northern mannerism

Standing Male Figure Holding a Sword (King Otto of Hungary; recto); Sketch of Standing Male Figure (verso)., Cigoli

drawings by cigoli baroque,mannerism

Taddeo Copying Raphael's Frescoes in the Loggia of Villa Farnesina, Where He Is Also Represented Asleep, Federico Zuccari, about 1595

villa farnesina (rome) - interior renaissance,mannerism

Drawing, Battle Scene, 1524–46, Giulio Romano, 1524–46

drawings by giulio romano mannerism

Study of a Figure in a Niche (Saint Ambrose; recto); Architectural Studies: Four Alternative Designs for Fictive Niches and an Unrelated Design with Garlands (verso), ca. 1560-67, Giuseppe Arcimboldo, 1564–65

giuseppe arcimboldo mannerism

Study of a Figure in a Niche (Saint Ambrose; recto); Architectural Studies: Four Alternative Designs for Fictive Niches and an Unrelated Design with Garlands (verso), ca. 1560-67, Giuseppe Arcimboldo, 1564–65

giuseppe arcimboldo mannerism

Study of a Figure in a Niche (Saint Ambrose; recto); Architectural Studies: Four Alternative Designs for Fictive Niches and an Unrelated Design with Garlands (verso), ca. 1560-67, Giuseppe Arcimboldo, 1564–65

giuseppe arcimboldo mannerism

Study of a Figure in a Niche (Saint Ambrose; recto); Architectural Studies: Four Alternative Designs for Fictive Niches and an Unrelated Design with Garlands (verso), ca. 1560-67, Giuseppe Arcimboldo, 1564–65

giuseppe arcimboldo mannerism

Study of a Figure in a Niche (Saint Ambrose; recto); Architectural Studies: Four Alternative Designs for Fictive Niches and an Unrelated Design with Garlands (verso), ca. 1560-67, Giuseppe Arcimboldo, 1564–65

giuseppe arcimboldo mannerism

Sketches for Nessus (Hercules and the centaur Nessus). Sketch for a standing, sideways male figure, studies of a pair of male legs, Parmigianino

drawings by parmigianino in the statens museum for kunst high renaissance,mannerism

Saint John Preaching, Anthonie Blocklandt van Montfoort, 1575/1580

drawings by anthonie blocklandt van montfoort mannerism

Disputation of Saint Catherine of Alexandria, Federico Zuccari, probably c. 1570

drawings by federico zuccari in the national gallery of art (washington, d.c.)renaissance,mannerism

Alexander the Great and Bucephalus, Taddeo Zuccari, circa 1553

drawings by taddeo zuccari in the national gallery of art (washington, d.c.)mannerism

Pietà, El Greco, circa 1570

drawings in the national gallery of art (washington, d.c.)spanish renaissance,mannerism

Group of Six Reclining Nude Women (Nymphs Bathing) (recto); Sketch of a Leg (verso), Taddeo Zuccari, 1529–66

drawings by taddeo zuccari in the metropolitan museum of art mannerism

Group of Six Reclining Nude Women (Nymphs Bathing) (recto); Sketch of a Leg (verso), Taddeo Zuccari, 1529–66

drawings by taddeo zuccari in the metropolitan museum of art mannerism

Study for the Armistice between King Francis I of France and Emperor Charles V, fresco in the Palazzo Farnese, Caprarola, Taddeo Zuccari

drawings by taddeo zuccari in the metropolitan museum of art mannerism

Study for the Armistice between King Francis I of France and Emperor Charles V, fresco in the Palazzo Farnese, Caprarola, Taddeo Zuccari

drawings by taddeo zuccari in the metropolitan museum of art mannerism

Standing Male Figure Holding a Sword (King Otto of Hungary; recto); Sketch of Standing Male Figure (verso)., Cigoli

drawings by cigoli baroque,mannerism

Design for a Lunette Decoration: Coat of Arms Flanked by Seated Allegorical Figures (recto and verso), Cristoforo Roncalli, between 1553 and 1626

drawings by cristoforo roncalli mannerism

Design for a Lunette Decoration: Coat of Arms Flanked by Seated Allegorical Figures (recto and verso), Cristoforo Roncalli, 1553–1626

drawings by cristoforo roncalli mannerism

Design for a Lunette Decoration: Coat of Arms Flanked by Seated Allegorical Figures (recto and verso), Cristoforo Roncalli, between 1553 and 1626

drawings by cristoforo roncalli mannerism

Design for a Lunette Decoration: Coat of Arms Flanked by Seated Allegorical Figures (recto and verso), Cristoforo Roncalli, 1553–1626

drawings by cristoforo roncalli mannerism

The Emperor Constantine Copronymous Burned by an Invisible Fire (recto); Studies of Sibyls and Angles (verso), Giovanni Baglione, circa 1599–1610

drawings by giovanni baglione mannerism,baroque

The Emperor Constantine Copronymous Burned by an Invisible Fire (recto); Studies of Sibyls and Angles (verso), Giovanni Baglione, circa 1599–1610

drawings by giovanni baglione mannerism,baroque

The Emperor Constantine Copronymous Burned by an Invisible Fire (recto); Studies of Sibyls and Angles (verso), Giovanni Baglione, circa 1599–1610

drawings by giovanni baglione mannerism,baroque

The Emperor Constantine Copronymous Burned by an Invisible Fire (recto); Studies of Sibyls and Angles (verso), Giovanni Baglione, circa 1599–1610

drawings by giovanni baglione mannerism,baroque

Flight of Meriones, with Dead Coeranos Being Dragged from the Chariot, Giulio Romano

drawings by giulio romano in the national gallery of art (washington, d.c.)mannerism

Drawing, Battle Scene, 1524–46, Giulio Romano, 1524–46

drawings by giulio romano mannerism

Studies for a Circular Composition of Diana and Her Nymphs Bathing (recto); Studies for the Same Composition (verso), Taddeo Zuccari, 1529–66

drawings by taddeo zuccari in the metropolitan museum of art mannerism

Studies for a Circular Composition of Diana and Her Nymphs Bathing (recto); Studies for the Same Composition (verso), Taddeo Zuccari, 1529–66

drawings by taddeo zuccari in the metropolitan museum of art mannerism

Studies for a Circular Composition of Diana and Her Nymphs Bathing (recto); Studies for the Same Composition (verso), Taddeo Zuccari, 1529–66

drawings by taddeo zuccari in the metropolitan museum of art mannerism

Design for an Elaborate Fountain Surmounted by a Statue of St. Christopher; verso: Studies of Architectural Details, Wendel Dietterlin, 1550–99

wendel dietterlin mannerism

Design for an Elaborate Fountain Surmounted by a Statue of St. Christopher; verso: Studies of Architectural Details, Wendel Dietterlin, 1550–99

wendel dietterlin mannerism

Studies for a Circular Composition of Diana and Her Nymphs Bathing (recto); Studies for the Same Composition (verso), Taddeo Zuccari, 1529–66

drawings by taddeo zuccari in the metropolitan museum of art mannerism

Recto Title: Page from a sketchbook showing four scenes: including Thessalians Fighting Bulls, upper left and Men Battling Alligators, upper right., Stradanus, 1587

collections of the cooper hewitt, smithsonian design museum mannerism

View of the Belvedere Sculpture Court, Maarten van Heemskerck, between 1532 and 1533

drawings by maarten van heemskerck in the british museum mannerism

The Virgin and Child Appearing to Saint Peter, Saint Damasus, and Saint Paul; the Martyrdom of Saint Lawrence in the Background, Federico Zuccari, 1566–68

drawings by federico zuccari renaissance,mannerism

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